1 Kajitilar

De Natura Sonorum Analysis Essay

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Includes PDF booklet

    Purchasable with gift card

      €7

     

  • Full Digital Discography

    Get all 19 Recollection GRM releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Grand Bruit / Stop! l'horizon, Tremblements..., s/t, Hétérozygote / Petite symphonie…, Erda / Suite N, GRM Works, Pacific Tubular Waves / Immersion, Traces Three, and 11 more. , and , .

    Purchasable with gift card

      €107.20 (20% OFF)

     

about

REGRM 009

De Natura Sonorum, Première série, 1975 (28'03)
- incidences / résonances
- accidents / harmoniques 
- géologie sonore
- dynamique de la résonance
- étude élastique
- conjugaison du timbre

De Natura Sonorum, Deuxième série, 1975 (28'40)
- incidences / battements
- natures éphémères  
- matières induites  
- ondes croisées  
- pleins et déliés  
- points contre champs

Premiered at the Salle Wagram in Paris on 3rd June 1975.
A suite of twelve movements, divided into two series of six.

“The first series comprises six related movements, usually organised in pairs, electronic sounds with instrumental and more rarely, concrete sounds: Incidences/resonances brings into play controlled resonances akin to sounds of concrete origin in a process that helps to expand the variable electronic sound sources. Here, ‘incidents’ are opposed to one-off ‘accidents’ in the second movement: Accidents/Harmoniques (Accidents/Harmonics). In the second movement, very short events of instrumental origin change the harmonic tone of the continuum they interrupt or overlap. Moreover, the high notes are underplayed, which stimulates the attention given to other phenomena generally hidden by the melodic form applied to the instrumental play. Géologie sonore (Sound Geology) is similar to a flight over an area where different ‘sound’ layers come to the surface one after the other. When seen from high above, instrumental and electronic sounds seem to fuse ... Dynamique de la resonance (Dynamics of Resonance) is a microphonic exploration of a single sound resonating through different forms of percussion. L’Etude élastique (Elastic Study) places together various sounds produced by ‘touching’ elastic or instrumental skins (baloons, doumbeks) or vibrating strings and a number of instrumental gestures close to this ‘touch’, using electronic processes to generate white noise. Conjugaison du timbre (Conjugated Tone), the last movement in the series, uses the same substance to apply rhythmic forms onto a perpetually varying tone continuum. “The second series of movements draws its inspiration from concrete and electronic sources rather than instrumental ones. Incidences/battements (Incidences/Beatings) is a reminder of the first movement in the first series which then quickly moves into Natures éphémères (Ephemeral Natures): ephemeral play on instrumental and electronic sounds, singled out by their internal trajectory rather than by the material itself. Matières induites (Induced Matters): just as molecular effervescence triggers a changes of state, it seems that the different states of these sound materials can be generated by each other or through induction processes. In Ondes croisées (Crossed Waves), the pizz vibrations interfere with somehow ‘visible’ water drops on the surface of a similar material. Pleins et déliés (Downstrokes and Upstrokes) can be listened to as the energies absorbed in the motion of bouncing bodies, while hollow ‘bubbles’ and points bring together some people’s gravity and others’ downwards movements. The work finishes with Points contre champs (Reverse Angle Points). Here, the notion of perspective of the different sound threads weaving a kind of network, or field, traps the occasional iterative elements in the foreground and progressively absorbs them, giving more space for the angle - and the chanted sound - to grow.”(B.P.)

credits

released February 21, 2015

license

all rights reserved

Avantguarde French composer Bernard Parmegiani died on last November 21th.


Avantguarde French composer Bernard Parmegiani has died on last November 21th at 86. He played on June 24th, 1970 with the Third Ear Band at the "Sun Wheel Ceremony", a concert promoted at the prestigious Royal Festival Hall of London.

The I.T. ad
That evening the band played with Bernard Parmegiani two traks, "Fire" and the unpublished 34'56" "FreakDance" (other title: "Pop Secret", from the Parmegiani official Web site). On "Melody Maker" (July 4th, 1970), Chris Charlesworth wrote about the event: "The hall was barely half full. Accompained at times by electronic machines making weird sounds Third Ear Band droned through two lenghty pieces which were well accepted by their fans. Their music has no title and is 90 per cent improvisation. It just starts and finishes when the band feel like it. There's a vague anonymity about their music. However violinist Richard Coff, who hate make announcements, did mention that one piece was called "Freak Dance". This contained some haunting oboe work from Paul Minns, and I rather enjoied it. Their second piece was more ambitious and, I thought, less enjoyable. At one stage I actually saw Richard tapping his foot!".

Quite different Carolyn Looker's memories of the event (April 2012): "Parmegiani concert was at Festival Hall. It didn't work too well in my opinion. TEB's music was organic, the French were music concrete, it didn't got".


You can listen some original Parmegiani's compositions (from 1965 and 1971) at http://www.ubu.com/sound/parmegiani.html or download his "De Natura Sonorum" (1984) at https://archive.org/details/agp140

 

His official Web site at http://www.parmegiani.fr/ and a very good tribute (with fabulous music excerpts!) athttp://www.inagrm.com/sites/default/files/mini-sites/parmegiani/co/Bernard_Parmegiani.html
Lastly, a very good 2008 essay on Parmegiani's music by electronic sounds expert Simon Reynolds at http://reynoldsretro.blogspot.it/2008/08/bernard-parmegiani-loeuvre-musicale-en.html


no©2013 Luca Ferrari (unless you intend to make a profit. In which case, ask first)   

Leave a Comment

(0 Comments)

Your email address will not be published. Required fields are marked *