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Fahrenheit 451 Media Essay About Radio

"Speed up the film, Montag, quick... Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline!... Whirl man's mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!"

Related Characters:Captain Beatty (speaker), Guy Montag

Page Number and Citation: 52

Explanation and Analysis:

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

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"Bigger the population, the more minorities. Don't step on the toes of the dog lovers, the cat lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that!... Authors, full of evil thoughts, lock up your typewriters. They did."

Related Characters:Captain Beatty (speaker), Guy Montag

Page Number and Citation: 54

Explanation and Analysis:

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Essay about Fahrenheit 451 as a Criticism of Censorship

943 Words4 Pages

Fahrenheit 451 as a Criticism of Censorship

Ray Bradbury criticizes the censorship of the early 1950's by displaying these same themes in a futuristic dystopia novel called Fahrenheit 451. In the early 1950's Ray Bradbury writes this novel as an extended version of "The Fireman", a short story which first appears in Galaxy magazine. He tries to show the readers how terrible censorship and mindless conformity is by writing about this in his novel.

In Fahrenheit 451, Bradbury uses "artificial stimulus", such as television and radio, to provide the reader with a feeling of how isolated the public is and how their minds are being controlled by this conformist government in the twenty-first century. He uses…show more content…

One example of this is the three-walled television in Guy Montag's living room. His wife, Mildred, watches TV all day and soaks up all the mindless programming and propaganda being fed to her. She has lost almost all of her short-term memory because of this. In one scene Mildred is asked about something that happens in a TV show she's watching and she cannot remember what is going on, even though less than a few minutes have passed. She also displays this behavior when Montag asks her to get him some aspirin when he has a headache. After she leaves the room, she returns with out the aspirin and any remembrance of Montag's request.

Bradbury again shows the emptiness of Mildred, a product of the conformist government, when she is using the "seashell thimbles." These are small, high fidelity earphones. They send Mildred music, commercials, and other information for her to consume. Advertisements such as two-hundred foot billboards that line the highways, blocking out any natural scenery, promote conformity and consumerism. Captain Beatty, Montag's boss, describes the logic behind the advertisements and television programs: Cram them full of noncombustible data, chock them so full of `facts' they feel stuffed, but absolutely `brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts or that sort don't change. Don't give them any slippery like philosophy or

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